Dance
Indian dance too has diverse folk and classical forms. Among the well-known folk dances are the bhangra of the Punjab, the bihu of Assam, the chhau of Jharkhand and Orissa and the ghoomar of Rajasthan. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of the state of Orissa and the sattriya of Assam.
Classical Indian dance
India offers a number of classical Indian dance forms, each of which can be traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people. The eight main styles are[citation needed] Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Manipuri, Sattriya and Kathakali. Besides, there are several forms of Indian folk dances such as Bhangra, and special dances observed in regional festivals.
Most Indian dance is based on the treatise Natyashastra by the sage Bharata Muni, which explains the Indian art of acting. Acting or natya is a broad concept which encompasses both drama and dance.
Indian classical dance is a misnomer, and actually refers to Natya, the sacred Hindu musical theatre styles. Its theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight "dance" forms:[citation needed]
Shaivite tradition
The Shaivites are those who worship the Lord Shiva, the lord of dance. In him revealed both faces of dance - 'lasya' and 'tandava', of which all subsequent dance forms were offshoots. 'Lasya', the dance of aesthetic delight revealed beauty, grace, love and all tender aspects of existence. 'Lasya' is the mode that defined many of Shiva's iconographic forms - Kalyana-Sundara, Vrashavahana, Yogeshvara, Katyavalambita, Sukhasanamurti, Vyakhyanamurti, Chinamudra, Anugrahamurti, and Chandrashekhara.
Devi, Shiva's variously named consort, is alluded to have performed dance in her manifestations as Kali - Mahakali or Shamshana-Kali, and Bhairavi. Devi had many other forms, each representing a particular 'bhava'. So did ten Mahavidyas and 'Saptamatrikas'. Each of such forms was modeled using the dance-mode in which its characteristic 'bhava' transpired. Thus, in modeling Devi's other forms, too, a similar dance-iconography was used.
Devi, Shiva's variously named consort, is alluded to have performed dance in her manifestations as Kali - Mahakali or Shamshana-Kali, and Bhairavi. Devi had many other forms, each representing a particular 'bhava'. So did ten Mahavidyas and 'Saptamatrikas'. Each of such forms was modeled using the dance-mode in which its characteristic 'bhava' transpired. Thus, in modeling Devi's other forms, too, a similar dance-iconography was used.
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